mandag 3. september 2018

On the podium: Ryukyu Islands #43 & Japan #Z253-54)

Three stamps shown on one stamp from a strange place with a strange name: Ryukyu Islands. But if you happen to be one of the 1,4 million inhabitants on this island chain, stretching from Japan to Taiwan, you would probably use the Japanese name: Nansei-shoto. Okinawa is the biggest island in the group. It was a ferocious battleground during World War II. After the war the islands came under U.S. administration, which lasted until 1972. The islands were then reverted to Japan. So Ryukyu stamps can only be found from 1948 up until 1972, when the use of regular mainland Japanese stamps took over. Most of the Ryukyu stamps during this post-war period looks like regular Japanese designs; quite pretty, often multi-colored, detailed and in good taste. They look like they have been designed and printed by the same workshops as the regular mainland Japan stamps.
The first official Ryukyu stamp (Scott #1) from 1948 was the magenta-colored 5 sen. It depicts a Cycad tree, probably a Cycas revoluta, or sago palm. There are two printings of the set it belongs to, one from 1948 and one from 1949. I'm not sure which year my scanned copy is from.

The brown 14 sen (#38 1956) comes from a set of kumi odori dance postures, a group dance built around a tale of romance and chivalry from Amawari's rebellion in 1458.

The grey 60 sen air mail (#C13 1957) depicts a heavenly maiden playing a flute. The name of this heavenly maiden is unknown. Heavenly maidens probably don't answer to their names anyway.

Japan #Z253-54 (1998)

To further commemorate the Ryukyu issues, Japan issued this pair in 1998, marking the 50 year anniversary of the first Ryukyu issues. Accompanying the 5 sen magenta this time was the "final issue" from 1972, a 5c blue depicting an antique yushibin, a ceramic bottle from Okinawa.

søndag 2. september 2018

On the podium: Philexafrique (1969)

Philexafrique was a stamp exhibition held in the city of Abidjan in Ivory Coast in February, 1969. A lot of planning must have been going on beforehand, because an omnibus series of stamps on stamps from 14 different African states, all former French colonies or protectorates, was issued in connection with it. They had similar designs and shapes, and rather big formats. Each of the old stamps depicted show some typical scenes, folk custom or industry of each country, so there is quite lot of African history embedded in these 16 stamps, in both the old ones and the new ones.

The independence of many of these African states was a new thing in the 1960's, and the stamps clearly show that the connections to France weren't completely severed. The stamps were all designed and engraved by French stamp artists and printed in Paris.

I must surely be allowed to pick a favourite, and that would be the pair from Niger.